Copyright © IJCMAS ICMAUA. All rights
reserved
# 12. 2012
The international Journal of Combat Martial Arts and Sciences
ICMAUA
Current articles (All rights reserved by authors):
MARTIAL ART
SNOBBERY: Donald Miskel (12.2012)
KUNTAO:
SOUTH EAST ASIAN “WAY OF THE FIGHT”: Master Kublai (11.2012)
UNARMED
AGAINST A BLADE: Donald Miskel (10.2012)
TAIKEN RYU
– GOSHIN JUJITSU: Bernardo A Martino (10.2012)
COMING OF
AGE: Donald Miskel (10.2012)
GOOD OUT OF
THE GATE (TEACHING FROM EXPERIENCE): Donald Miskel (09.2012)
LINEAGE AND
THE TRADITIONAL MARTIAL ARTS: Donald Miskel (09.2012)
THE
DEADLIEST MAN ALIVE (GETTING OVER OURSELVES): Donald Miskel (09.2012)
A DOJO IS:
Christopher Lucente (09.2012)
EARTHQUAKES
& CACOY DOCE PARES ESKRIMA BELT GRADINGS! : Leigh Jenkins (01.2012)
INTERNATIONAL
MARTIAL ARTS AND SPORTS AWARD CEREMONY 2011: Rizwan Mustafa Zubairi (01.2012)
CHRISTIAN
MARTIAL ARTS, RANK AND ADVANCEMENT: Donald Miskel (03.2012)
KARATE FOR
THE MASTERS: Donald Miskel (05.2012)
MENTAL KUNG FU: Donald Miskel (06.2012)
THE MOTHER OF INVENTION: Donald Miskel (08.2012)
MARTIAL
ART SNOBBERY
Donald
Miskel
Our
nation was built out of protest of class and cast systems. One class being
better than another and such similar ideas. We are a melting pot. We draw our
ideas, wisdom, knowledge and philosophies from many different sources and
cultures. If we were gem stones we would be multi faceted rather than the
smooth faced cabochon. We have as many personalities as we do people and
engrafted cultures. That’s what makes us unique. That’s what makes us strong.
In
breeding in any species magnifies whatever weaknesses may be inherit in that
species. Recessive traits become magnified and
undesirable traits become dominant. In our nation we are constantly
exposed to new and fresh ideas. The ability to disagree has contributed to our
strength as much as the ability to have common ideas and a common voice.
America is a democracy and encourages individuality. Apparently that doesn’t
apply in politics and martial arts. Since I don’t want to start a riot I won’t
expound on political snobbery. I’ll leave that for another time and another
forum.
Give
something to Americans and they will make it their own. Anything that we
inherit will be given our own flavor. We give our knowledge its own unique
character and it reflects our own individual character. Each individual can
interpret new knowledge according to his own needs and level of understanding.
Where flexibility is possible there is no definitive way of doing anything.
Now with
that being said let me present my argument. First a disclaimer. I love the
martial arts. I have dedicated the major portion of my life and much of my
effort to the arts. I nettles me when an individual with twenty years of study
who has studied with one system, one master or one organization feels that he
is in the lofty position to judge others who have dedicated two or three times
more time to the perfection of their various arts. I have a problem with people
who believe that if I don’t do it the way they do it or believe it the way they
see it I’m less than credible. Those of us who have studied several systems or
are eclectic in our approach are criticized by martial art traditionalists with
half our experience.
Some
people believe that unless you were taught by someone of oriental heritage your
knowledge is lacking. Another misnomer is that unless you study the art the way
it was taught three hundred years ago you aren’t a martial artist. I’ve heard
individuals who couldn’t stand toe to toe with an amateur boxer tell the boxer
that he doesn’t study a martial art. Likewise I’ve heard purists tell mixed
martial artists who could clean their clock in their sleep that they aren’t
martial artists. In all honesty I’ve been guilty of the latter at one time of
another but I’m making an attempt at blatant honesty here and I’m not holding
myself exempt.
Martial artists
all but venerate Bruce Lee. They see him as some kind of martial art saint.
This in spite of the fact that he thumbed his nose at the traditional arts and
criticized the traditional martial artist. Bruce Lee borrowed what he needed
from wherever it was available. His jeet kune do is based heavily on skill sets
that many martial artists would claim are not martial arts. In my way of
thinking I find that hypocritical at the least. These same martial artists
discredit individuals who did the same thing; people such as John Keehan (Count
Dante) and Bruce Tegner who did the same thing just as well. What these same
martial art snobs don’t realize is that the arts that they study may not be as
pure as they think. Karate is an eclectic art. It borrowed from Chinese
Buddhist, Taoist and Muslim kung fu systems and added it to their Okinawa te,
an indigenous art to form tode which eventually became karate. I won’t even
examine the Korean arts. They’re more eclectic than some of the Okinawin and
Japanese systems.
The truth
is there is no pure martial art nor should there be. A martial art master who
doesn’t use what he knows to work isn’t much of a master. A master owes it to
his students to keep the art current and usable by the day’s standards. How
important is it today to be able to defend against a swordsman on horseback or
an armored samurai. If this is what you’re training for, regardless of how
traditional you claim your art to be, you are training for disaster. if you are
going to be effective as a martial artist you have to be able to deal with the
threats that you are subject to be presented with. Karateka of days past
trained against the samurai sword because the samurai was one of their most
prevalent threats.
I have
sent a number of years studying several traditional martial arts. I hold rank
in a number of them with advanced rank in several. With well over fifty years
in the arts I don’t feel that I need anyone telling me that I don’t understand
the arts. I judge a martial art by how well it works and how well it deals with
modern day aggression. In the end that’s what a martial art was originally
intended for. When we make a martial art something it was never intended to be
we run into problems. We garner many additional benefits from the arts but in the
end if they aren’t good for self defense or for combat they aren’t really
martial.
Boxing
doesn’t teach kata. Neither does catch wrestling. What shorenji kempo calls
kata many systems would call waza. Would you say that because they don’t have
stylized drills to catalogue their systems techniques that they aren’t martial
arts? Then you might just be a red ne… Opps, sorry. Wrong argument. You might
just be a martial art snob. By the way Bruce Lee Had no use for kata so by the
measure of most of you who idolize him, he wasn’t a martial artist. What kind
of sense does that make? Sounds hypocritical to me but then who am I?
Ending
this one sided argument I’ll say that I do teach several kata in my system and
even include some bunkai. But because,
after almost fifty six years in the martial arts, I teach a nontraditional
eclectic system I’m not a martial artist. Okay but I’ll spend another fifty
years trying to figure out that argument.
Donald
Miskel
KUNTAO:
SOUTH EAST ASIAN “WAY OF THE FIGHT”
Master
Kublai*
1. What is Kuntao?
Kuntao (拳道) is a Hokkien word refers to the traditional Chinese
Martial Art spread in South East Asia, primarily in local Chinese communities
but also among other neighboring peoples. Kuntao practitioners may be found in
Indonesia, Malaysia, the Philippines, Singapore and China and the historical
adventure of the art has realized an inter-cultural exchange around Kuntao, it
has been named as Kuntao Silat sometimes in Indonesia, based on mutual
interactions with different Silat styles and named as Kuntaw in Tagalog with
very deep relations with Filipino martial arts, Kali / Arnis / Eskrima / Mano
Mano in the Philippines. However, despite all the trance-cultural relations and
effects Kuntao remained as a Chinese martial art.
What is
Kuntao? In this article we will try to give an answer, or at least one of the
possible articles to this question. When
we translate literally it means the Fist Way, or with a more proper expression
“Way of the Fist”. Fist (拳,
Chuan, Quan, Kuen or Kun) has a general meaning in Chinese martial arts and
beyond the particular meaning of “fist”, sometimes referred as “boxing”, many
Kung Fu styles ending with this word such as: Tang Lang Quan (Praying Mantis
Kun Fu), Lung Ying Kuen (Dragon Style Kung Fu), Tai Chi Chuan, etc. All these
styles ending with Fist / Boxing not only limited with punches, many other
techniques (kicks, knee strikes, elbow strikes, blocks, grappling, etc.) are
also incorporated with these systems. So, it is better not to consider them as
“Box” in the Western sense of term and rather consider as a general and
complicated martial system. As for Tao (道), it is one of the most profound aspects of Chinese
civilization, mostly assembled with Taoism, although there are usages of the
same notion in Chan Budhism and Konfucianism. Usually Tao is translated into
English and other Western languages as way, path, principle or route, although
it includes and is beyond each of these words. Tao is a word not easy to
describe and what it indicates is like an eternal flow proceed through
centuries, through living creatures and all universe, give meaning and life
power to everything. From this point of view in can be also considered as a
kind of system or energy. After these explanations we can see that one
alternative and clearer expression for Kuntao can be “Way of the Fight”, which
is not a literally translation but can give the essence of what is Kuntao.
Usually
in traditional Chinese Kung Fu the oral narrations through many generations are
much more common than written historical materials. This situation is the same
for Kuntao which is a part of Southern Kung Fu styles. So, in our research,
since there is a big lack of written materials, we have based on the oral
narrations too and first time in the history of Chinese martial arts such
widely information on Kuntao is “recorded”. The information provided here was
obtained through interviews with contemporary Masters (Sifu / Guro) of Kuntao
and would be helpful also to further studies on this South East Asian martial
art. The Masters we have interviewed within this research first time answered
this kind of questions and made written what is passed to them through
centuries in the history of Kuntao. They have revealed some “details” of the
art which are crucial for understanding it more profoundly. Now we can proceed
to read these invaluable knowledge given by the Kuntao teachers of 21st
Century.
2. Lineages
For
traditional martial arts lineage is one of the most important issues. A
practitioner can practice a particular technique or form perfectly with its
“physical appearance”, even he/she may know the meaning beyond the movements
and some other aspects of the style. However, if a practitioner has no
transmission from a legitimate master, he would not be considered as a
legitimate member of the tradition he/she is practicing, unlike modern or
modernized martial arts. If somebody has a Karate, Taekwondo or Wushu license
from a legal federation he/she would be considered as a practitioner of that
sport. But for traditional martial arts lineage and transmission of authority
through generations are much more important than physical applications and
performances of techniques. So, for Kuntao also having a legitimate lineage is
an important issue. Like many other Kung Fu / Chinese martial arts styles,
Kuntao practitioners tracing their origins backward before destruction of
Shaolin Monastery in 17th Century. But
this is nothing special to Kuntao, usually all Kung Fu styles, except the
Taoist oriented ones, lean towards Shaolin Temple. Howerever, beyond legends,
some animal imitation techniques (leopard, snake, Etc.) in Kuntao is a proof
that the Animal imitation Kung Fu of Shaolin Temple has been influential on
some aspects of Kuntao. For centuries Kuntao styles and techniques has been
very secretive, hidden by non-Chinese people and not shared with public. But,
in globalization process of 20th and 21st Centuries Kuntao spread toward the
West, besides all other traditional styles of Kung Fu. There many
internationally renowned masters today, who are westerners.
In
America most of the Kuntao schools have a lineage through Willem de Thouars. He
is the founder of Kun Lun Pai and many American and international Kuntao
teachers trained under him. Willem de Thouars was born in Java and studied
fifteen styles of Pencak Silat. Besides
Pencak Silat, he studied a dozen forms of Chinese Kuntao. His Kuntao lineage is coming from several
sources and incorporation of Kuntao and Silat forms in Indonesia can be seen in
his personal style too. Besides some other sources, Willem de Thouars’ Chinese
Kuntao lineage is coming from Tan Tong Liong (1890-1959, Shantung Kuntao),
William Chen (1900-1956, Fuekchin Kuntao) and Buk Chin (1895-1960, Hukien
Kuntao). Professor Florendo Visitacion
(1910-1999) was another important name in the modern history of Kuntao and some
contemporary teachers (Rick Hernandez) go backward through his lineage. Rick
Hernandez’s Kuntao (or Kuntaw with its Filipino name) curriculum has more
Filipino influences thanks to its origins from the Philippines and also
included internal Chinese martial arts (Xingyiquan, Baguazhang, etc.) in its
structure. Richard Clear is another
teacher in this martial art whose curriculum includes internal aspects as well,
such as Xingyiquan, Baguazhang and Fukien Kuntao with internal emphasizes. Henry Jayme is one of the most influential Kuntao
teachers today and his art is deeply rooted in his country of origin, the
Philippines too. Henry Jayme states that the origin of his Kuntao is from Tat
Kun Tuo in Cebu Philippines, which was founded by GM Jose Milan Go, a Chinese
originally from China. After he changed the name into Gokosa before he passed
away. Jayme says: “We actually just changed the Tuo into Tao because that word
cannot be understood internationally, because Chinese is a sound language, and
we also drop The Tat which means touch, just concentrate kun which means fist,
and Tao means knowledge Or way. So it becomes knowledge of fist fighting by
empty hands.” So, thanks to the origin
of its founder Tat Kun Tuo had stronger connections with China compare to other
Kuntaw styles of the Philippines.
Ron Kosakowski
is also one of the Kuntao teachers in America, actively teaching the art today.
His Kuntao originally came from Joe Rossi. He says that: “Before I went to his
school, I was a kid practicing Karate point fighting. When I saw Kuntao, I was
sold on it the very first day there. I never saw anything like it. There was
angulation footwork, body positioning and moves that I thought at the time,
resembled what David Carradine did in the weekly show called Kung Fu.” Kosakowski
also trained Grand Tuhon Leo Gaje, who is the family heir to Pekiti Tirsia
Kali. One day in early 2000s he mentioned to Mr. Gaje that he would like to
search roots of Kuntao in South East Asia. After a long and adventurous trip in
the Philippines he met an “elder of Kuntao” named Ali Sharief, from Maranaw
tribes of Mindanao. Ron Kosakowski and the local Kuntao clan exchanged their
knowledge in the art. He says: “Then I was accepted by them. That was history
made where no one outside the Maranaw tribes was ever accepted by them before.
They are now my teachers and I am here to carry on Kuntao and maintain its true
essence and historical significance for them outside the Philippines.” So Kosakowski teaches "Kun Tao
Dumpag" as taught by Grand Tuhon Leo Gaje with inevitable contributions of
what he has learned from Joe Rossi at the beginning and also what he has
experienced in the Philippines.
W. L. van
Prehn has been one of the teachers spread Kuntao in Europe. The origin of his
lineage came from the Chinese Grandmaster Lie Tjhing Yan who was born and lived
in Indonesia (already deceased). Prehn says: “The style Taokun was originally
from China and has a very long lineage back for almost 2000 years. It past as a
family system from family to family. All Chinese traditions are in principle
the same only there are differences in styles and from what city it came from.
For example from North or South etc.”
The style taught by W.L. van Prehn
is called Kun Tao Hokkian Siauw Lim and the expression of “Siauw Lim” here
refers to Shaolin origin of this arts. Kun Tao Hokkian Siauw Lim is spread in
the Netherlands, although W. L. van Prehn quit teaching.
David Seiwert
is one of the American martial arts teachers spread Chinese Kuntao in the West.
David Seiwer’s Harmonious Fist Kuntao style comes from Southern China and was
taught to his instructor by his grandfather who taught him Ng Family Kuntao and
Six Harmonies Boxing. The system focuses on animal styles including Snake,
Mantis, Monkey and Drunken techniques. He has also included techniques from Silat,
like Willem de Thouars and other teachers and also the Kuntaw systems of the
Philippines. Seiwert has very strong connections with South East Asia,
regularly visit there for Kung Fu, Kuntao, Kali, etc. activities and
incorporate the traditional methods these arts in his effective curriculum,
which is very direct and applicable to sparring, rather than exaggerated
forms. David Seiwert’s influence in
contemporary Kuntao scene is beyond America; spread in Europe, Middle East and
Asia. His affiliated schools are teaching Chinese Kuntao in many other
countries.
When we
look at to all these lineages of contemporary masters, we realize that there
are several roots for this traditional martial art. In the interview with Kuntao
teachers we have tried to find out, “where should we locate Kuntao?” Is it
really a Chinese Art, or much more a multi-cultural and mixed martial art? Does
it belong to a particular country or more a regional heritage? Answers we have
heard during the research may be an interesting contribution to the history of Kuntao.
3. Where to locate Kuntao?
Indonesia,
China and the Philippines have been mentioned in different lineages of Kuntao.
However, what is interesting nowadays is that the majority of prominent Kuntao
teachers is either westerners or settled in the west although they have a
background from these countries. Teachers (Guro or Sifu) live in South East
Asia maybe do not have sufficient international network yet and not known well yet.
Heny Jayme is one of the exceptions, who has many students from the West and
very well known internationally. But, many Kuntao Guros/Sifus living in the
South East Asia still wait to have more comfortable international connections
and they deserve to be the subject of another research and fieldwork, which is
beyond the limits of this article.
We have
asked to Kuntao teachers of today about this issue and tried to understand
where we can locate the art properly. Mostly, today’s practitioners and
teachers agree that Kuntao has a historical background from China. Richard
Clear indicates that, it originates from Southern Style Kung Fu, but besides it
there are influences from Northern styles and also Tibetan Kung Fu. His
particular style is coming from Indonesia. According to Clear, when Chinese
population came to Indonesia they brought their Kung Fu and modified it mixing
with local Pencak Silat they found in Indonesia, “for various reasons including
but not limited to the multi-cultural
dimensions including marriage with indigenous population and the focus in the
islands on machete (and other bladed weapons), multiple attackers and surprise
attacks.” David Seiwert reminds that
although Kuntao is originally from China (you can also find styles in Taiwan)
and was brought to Indonesia, Malaysia, Singapore and the Philippines. The art
was kept secret and passed down through families. Weapons are predominantly the
sword, staff, and knife. Old styles of Kuntao are today considered by some to
be "true" Chinese martial arts because they predate the Shaolin
Temple's destruction. He also emphasize the mutual influences between Kuntao
and Silat. So, Silat is a collective word for indigenous martial arts of the
Malay Archipelago and Malay Peninsula of Southeast Asia. Sometimes Kuntao and
Silat used instead of each other, and sometimes just combined as if it is a
“one” style.
Bob
Orlando much more focused on the connection / relations between Kuntao and
Silat. According to him, Kuntao without Silat is classical kung-fu. He argues that, when the Chinese migrated
into South East Asia, their martial skills were developed in “civilized”
mainland China where there were rules to engagements, fights, or combat. When
the Chinese fought silat players, it was classical Kung Fu with all its rules
and protocols (classical martial arts) facing fighters who had no such rules
(what I call fighting arts). The latter won more than their classical Chinese
foes. The Chinese then, had to return to
their fighting roots to survive.
Further, they had to adopt a lot of the techniques and skills of their Silat
opponents (more easily done for the Chinese than the Indonesians because the
Chinese were immigrants in Indonesia – they could see Silat all around
them).So, according to Bob Orlando Kuntao is both Chinese and Indonesian, mix
of Southern Style Chinese Kung Fu and Pencak Silat.
Kuntao is
defined as a Chinese Martial Art by Rick Hernandez too, which can be found in
all South East Asian countries. Hernandez also says: “It's vital to understand
that each country has it's specific cultures and took what the Chinese shared
to express it and share according to the language of the culture. Remember that
if you extract the principles of the art then express it according to how you
live, then the art is no longer bound by the specific origins of the culture.
In my case, the name Kuntao is kept out of respect for the origin.” Indonesia,
Philipines, Malaysia etc. have mixed the languages of the arts according to the
region, community, and specific need for such arts. The name Kuntao indicates
the common Chinese influence. According to Hernandez, depending on the teacher,
these arts are often blended to form a Hybrid Art composing of principles from
various sources whether it be stick, blade, Bagua, Animal, kicking, etc.
About the
connections between Kung Fu and Kuntao, Ron Kosakowski has a different approach
and he does not accept Kuntao as a Kung Fu style even though its roots are from
China. Kosakowski mentions that it arrived in the Philippines from China going
back approximately 2000 years ago. According to Kosakowski it is a Filipino
indigenous style which has adapted to everything that has occurred over the
years including the various weapons that have evolved in the south. It is
mostly in the Sulu Archipelago though it is possible to find in other areas of
the Philippines. Ron Kosakowski says: “In Indonesia, it seems Kuntao had held
on to its Chinese roots more than it did in the Philippines; not that it is a
bad thing. In the Philippines Kuntao is so secretive it makes it nearly
impossible to find. It is usually passed down within families or within close
tribal relationships. I am very lucky to have this particular style.”
Kosakowski also says, it has been spread around through sailors and Chinese
people brought their fighting methods with them and of course taught others to
what it has evolved to today. Finally, within the period of evolution it has
become “Filipino” in the Philippines. Heny
Jayme insist on difference between Kuntao and Silat too. In our interview he
said that: “As far as I know there is no connections between these two because
Kun Tao in Cebu, the Philippines, is actually based on Kung Fu in China and the
Balintawak stick fighting in Cebu. Because even the drills and training of Kun
Tao is actually the same with the Balintawak, Arnis, Eskrima stick fighting. If
I remove my stick it becomes a Kun Tao stuff.”
Jayme’s difference from Kosakowski is that he is more open to Chinese
dimensions of Kuntao, rather than accepting it as a pure Filipino style.
Almost
everybody in contemporary Kuntao community accepts that Kuntao’s roots are in
China, although about the rest of its history there are several different
approaches. As W. L. van Prehn says, “Kuntao was brought to Indonesia by
Chinese immigrants who past their system on to only other Chinese people, the
Indonesian people, where not included to learn the system in that time because
they held the system secret.” Prehn explains the process of evolution and
says: “because the Chinese lived in
Indonesia the system was further developed there and integrated as a local
martial art under the name of Silat instead of Kuntao because the Indonesian
government was afraid of the influence from the Chinese people and forbid to
use the name Kuntao or other Kung Fu styles. So many Chinese people changed the
name in Silat.” So, Prehn thinks that
these particular reasons caused usage of the name of Silat.
4. Forms, Internality and Spirituality
Forms /
routines have been an important part of traditional Kung Fu. Practitioners have
learnt and practiced forms besides some drills, their applications and sparring.
In Kuntao there are mostly two other approach on this issue: some teachers keep
their traditional forms in the curriculum, some others much more focused on
real life applications, rather than some complicated forms. For example, Henry
Jayme has a routine and Forms to follow, as a foundation for improvement of
your skill in self defense against any attack especially when you are surprised
on the street. As for David Seiwert, it
is a little different. He says: “When I first started teaching we did teach
forms but I have found that in our modern society people are too busy or simply
not motivated enough to spend time learning them. Therefore we now tend to
focus on the fighting aspects of the art. I still teach the forms if a student
wants to make the extra effort to learn them.”
So, the new tendencies of modern culture and life have changed the
perception of forms in Kuntao.
Rick
Hernandez considers “form” as a crucial point for martial arts. According to
Hernandez, “form is vital in all parts of human development. There is a
misconception about form training from those who only have a superficial
understanding of the relevance. In a serious fighting art, Form is coupled with
impacts, conditioning, and other attribute development. Any endeavor that
includes moving the body to produce speed, power, and precision must include
form to accomplish an apex of skill.”
Richard Clear has also involved in form during his study and current
teaching activities. Clear has studied more than a dozen forms and now most of
them are available in his curriculum. He says: “At a certain level of more
advanced skill the forms become required. However, for the first Guru rank and
year of training the focus is on principles and concepts as well as Beladiri
fighting principles and methods.” So for
his concept of Kuntao, forms are determining after a particular level and much
more important for advanced levels.
As we
mentioned above, because of contemporary needs of today’s Kuntao practitioners,
in some schools practicing forms is given up. Ron Kosakowski is among the
teachers who do not practice forms. His style does not have any forms or
predetermined movements to practice. Kuntao Dumpag has hand to hand reflex
developmental drilling methods that eventually turn into random play. They
still have hidden movements but you learn the use of them as you get better at
these sensitivity exercises. As for Bob
Orlando, in his school forms have a special importance. He emphasizes the
important roles of jurus, primarily focused on upper body movements and
langkahs, legwork in traditional Indonesian martial arts. For a good martial
harmony they must be taught together. Orlando says: “In Willem de Thouars'
Kuntao-Silat, jurus and langkahs are taught together within forms. This allows a flow and continuity that is
often lacking when individual movements are taught separately. Both training methods (those teaching upper
and lower separately, and those teaching them together within forms) have their
good and bad points. Nevertheless, both
will serve the student well.” In martial
arts communities there is a contemporary doubt about functional-practical
values of forms. However, Bob Orlando argues that there are even practical
functions of learning forms further than being any historical-aesthetical
heritage. He thinks that: “Forms training teaches us just that — to use our
minds, before and along with, our bodies. Mentally, forms training teaches
strategic thinking. Physically, it is
simply, how to move. We will look at the "how," the physical side,
in a moment, but first, let us examine the mental side, the strategic
thinking.” He explains more benefits of
learning forms for real application with detailed examples and theoretical
dimensions. W. L. van Prehn says that in their Taokun Kuntao tradition there
are 108 forms (parts) also named twee-ta or pasangan. The first 36 are subparts
and basic movements, the second 36 parts are progressed movements, the third 36
are series, high progressed movements, these are combination parts from 3 parts
in one. All are executed with a partner. In Taokun Kuntao are three levels and
the integral part of learning is that you can compare the 3 levels with school.
The first level is equal to basis school. The second level is equal to high
school college and the third level is equal to university addication/training.
If you succeed you can consider yourself as a master and are entitled to teach
the system to other people. So, we can
say that Taokun Kuntao is one of the Kuntao lineages with highest emphasis on
forms training.
Internality
has been an integral part of some Kuntao lineages, although some other schools
are not that keen to perform internal training in their martial systems. Rick
Hernandez’s Kuntao has equally internal and external principles in the training
methods. In the beginning stages there is a lot of emphasis on external body
conditioning through impact training. Hernandez says: “The mindset is pure
aggression through body impacts and animal training tactics. As the years go
by, the student will begin to learn and apply the principles from Hsing I and
Baguazhang. This includes extensive training in breath, posture, and visualization.
The journey never ends!” According to Hernandez, this “journey” has a kind of
“deep internal self re-editing in order to tap into all the power of the
universe. This will allow us to transcend the limits of our own bodies and
minds.” So, positive effects of practicing
Kuntao can be seen in different aspects of life.
Richard
Clear’s Kuntao system is primarily focused on internal martial arts, suc as
Hsing I, Bagua and Tai Chi. So, his system mostly focused on “Chi activation”
and using this internal energy in martial situations. As David Seiwert said,
many styles also teach the internal arts including his teacher’s system (Six
Harmonies) and many others don’t, because it is based in Chinese martial arts.
Seiwert’s Kuntao system is mostly combat-oriented and there is no primary
emphasis on internal aspects. Ron Kosakowski’s approach to Kuntao is much
more open to internality. He says: “Spiritual as in strong beliefs and internal
thought utilizing the mind, the body and breath…that is our internal
development! That along with the belief in the technique fully executed to do
its job. This coordinated with the breathing but one has to be relaxed during
practice in order to be able to pull it
off in the same state of mind when the time comes you need it most. In self
defense situations, you have anger or a goal to pull off a certain technique
will prevent the free-flowing aspects of Kuntao. This focus grows as you spend
more time in Kuntao Dumpag.” So, Kuntao
Dumpag is a martial system try to maintain balance between physical aspects and
internal power.
Bob
Orlando stated that Kuntao can have either, internal and external aspects. In the case of his Kuntao teacher it was
primarily Taoist (internal), but some of his teachers also shared their external
arts knowledge (Shaolin) as well. He
continued: “His Kuntao was then, a mixture of both with (I believe) the
internal being the larger. For myself, I
believe a mixture of both is far superior to the best of either alone – either
pure internal or pure external – but that is just my personal opinion.” W. L. van Prehn also accepts that there are
internal aspects in Kuntao but he thinks seldom people succeed in learning
this, because it is too difficult and if one does not have the talent it is
impossible to learn. According to him this falls under the highest level. In
his art, there are also executing practice movements combined with breathing
exercises which one have to practice every day to strengthen the body and inner
strength. He says, “also the way of thinking is very important, one have to
posses will power, decisiveness, keep-driven, perseverance and the most
important is the ability of self-confidence, conviction and belief in yourself.
Meditation is a requirement to develop the mental strength and to grow to
self-consciousness and to become a better developed person who is able to help
other people in live. In Prehn’s
approach to Kuntao there is a balance and harmony between meditative and
martial sides of the art. His Kuntao style includes also spiritual aspects and
discovering yourself, spiritual dimensions and reaching enlightenment is as
important as physical dimensions of his lineage.
5. Conclusion
This
research and article has given us the chance to learn deeper the South East
Asian martial system, Kuntao. We have seen that Kuntao has been emerged through
an interchange and communication of Chinese, Indonesian and Filipino cultures.
However, in spite of this multicultural environment and interactions between
South East Asian countries and their martial backgrounds, Kuntao still remained
as a “Chinese martial art”. Different Masters/practitioners have different
approaches, but the majority of contemporary community agreed that Kuntao is
originally a Chinese arts. In fact, we can see the elements and influences of
Chinese box styles, especially Southern Shaolin Kung Fu, in Kuntao. Although
there is a tendency toward defining Kuntao as the “South East East Asian
version of Kung Fu”, the oral narrations and traditions of Kuntao lineages
consider themselves as an independent martial art which has existed in unique
conditions of South East Asia region. However, there is a question rising from
this point which requires another research and article, maybe: Why are the
majority of today’s Kuntao teachers either Westerners or non-Chinese Asian
people? If the art is a “Chinese System” where are the Chinese Kuntao
practitioners? In the age of globalization, at least few of Chinese Kuntao
practitioners should find opportunity to reach the wider, international martial
scene. This is a crucial point and has to be analyzed and answered, for sure.
We can trace the lineage of several contemporary practitioners to their Chinese
martial ancestors. But, most of the active and predominant teachers have no
personal Chinese background. Of course to be a teacher of any martial art you
do not need to be a person from that particular culture, necessarily. But,
there should be historical and sociological explanations regarding, why a
Chinese martial art has not spread among Chinese communities, or at least why
not visible there. This is entirely out of the scope of this article, which has
been focused on “existing” lines, rather than “non-existing” or invisible
actual possibilities.
* Master Kublai is a Kuntao,
JKD and Taijutsu instructor. He is also writing articles for international
martial arts magazines.
UNARMED
AGAINST A BLADE
Donald
Miskel
People
study the martial arts for any number of reasons. The type of art you study
probably reflects that reason. If you are sports oriented, you probably aren’t
studying aikido or krav maga. While all martial arts serve a purpose all aren’t
created equal. Some lend themselves better to self defense than others. Some
are better for self discovery while others are better for competition. My
emphasis in my study is combat, self defense and personal security. I had my
martial arts foundations developed in a very combative system, more by
coincidence than personal intent. That influence and the fact that I grew up in
a violence ridden part of a very rough city shaped my philosophy concerning the
martial arts. Having become a Christian and a pastor further shaped my thoughts
involving self defense and personal protection
I
grew up fighting and I was good at it. In the neighborhood I grew up in
violence was a fact of life. No one questioned it. Every person dealt with it
as best they could. I was gang related for a good portion of my life. Back in
the day guns weren’t the weapon of choice on the streets. They weren’t as easy
to come by for kids back then. We were more prone to make zip guns than to have
a manufactured fire arm. Knives and other concealable weapons were preferred to
guns. They were more readily available and they were more easily concealed.
Being black in the inner city of Chicago meant you
could be stopped and searched at any time. More often than not knives were
confiscated. You might get your butt whipped for carrying one but it usually
wouldn’t land you in jail. Consequently everyone on the streets carried some
type of bladed weapon. There were exceptions. Some guys carried brass knuckles,
a sap (blackjack) or some other such weapon but knives were more common.
In my neighborhood you had to be able to do two things.
You had to be able to throw hands (box) and you had to be able to use a knife.
Lacking in either skill got you hurt or killed in the streets.
I began studying the martial arts formally at age
twelve. I also boxed for the Chicago Park District. When I started jiu jitsu
and later karate classes I went in knocking more advanced students on their
rear ends. I was street tough and I knew how to fight. The only reason I was
there was because my father enrolled me to curb my aggression level. The one
thing I wanted to garner from those classes was to be able to disarm a person
with a knife.
I like to keep current with the trends in the martial
arts. I like some of the reality fighting arts. I’m somewhat more dubious about
Brazilian Jujitsu and especially MMA. By the way, MMA is nothing new. I did
that when it was illegal and we fought for small purses and side bets. Of
course the competition wasn’t as good but those really were no holds barred.
The only rule was you couldn’t use a weapon. Other than that there were no
rules. You fought until someone was incapacitated or rendered unconscious. There was no tapping out. You fought until
one of the fighters couldn’t continue. As I think back on it I see how foolish
that type of thing was. At the time I was young and thought I was invincible
and I needed the money. The fights were brutal, bloody free for alls.
Unfortunately, much of the MMA I’ve seem is too similar. Too often it seems to
be brutality simply for the sake of brutality. By the way, that kind of thing
would get you killed on the streets.
More often than not the average assailant will either
be armed or he’ll have friends for backup. If you think that you’re going to
stand toe to toe and trade blows with a street thug you’ll very probably be
sorely disappointed. Thugs don’t fight fair. If they didn’t think they had a
distinct advantage chances are they wouldn’t be confronting you.
In a lot of the disclaimers accompanying reality
training a student is warned that his chances aren’t good against a person with
a knife. If the person is trained or skilled with his weapon that’s probably
true. I have yet to find the trained martial artist that can take a weapon from
me. So what does that mean? We obviously can’t curl up and die in the face of a
knife attack. The best defense against a knife is foot techniques. Use those size
twelves to get out of Dodge. Fighting should always be our last resort anyway.
You fight only if you’re left with no choice. That’s especially true if your
opponent is armed. Don’t fool yourself. An armed person is always more
dangerous than an unarmed person even if that unarmed person is trained. Still,
if you have no choice and there’s no way to make a quick exit your only
alternative is to defend yourself. It isn’t the best case scenario but when
it’s all you’re left with you have to deal with the issue.
This isn’t a set of techniques against a knife wielding
attacker. Hopefully, if you’re reading this you have some training to cover
such a situation. Technique alone won’t help you win in such a situation.
Whatever skill you have has to be coupled with courage and a willingness to do
whatever it is you have to do. Unless you are a police officer or work in some
such similar vocation forget knife disarms. Disarms are designed to deal with a
lethal situation with as little harm to the assailant as possible. Life and
death combat doesn’t include compassion for your opponent. When faced with an
armed assailant your purpose has to be to destroy or totally disable your
opponent. Anything less than that is going to get you seriously hurt or killed.
I have taught self defense and anti rape classes over
the years. In many of those classes I have had women walk out because the
techniques were too brutal. Combat isn’t ballet. Combat is brutal by nature. If
you aren’t ready to try to kill or seriously injure an armed assailant you’ve
lose before the fight starts. Believe me, if he is trying to attack you with a
knife, your safety and well being is not one of his primary concerns. His
intent is to hurt, seriously injure or kill you. Anything less than total
commitment on your part will help him in his efforts.
Is it possible to face an armed assailant and come away
unscathed? Unlikely if he knows what he’s doing but it is possible to defend
yourself and discourage or even defeat such an attacker. Forget the odds
against you. You aren’t playing the odds. You’re trying to survive. If you’ve
trained realistically for something like this, you already have the tools. You
have to be willing to use them brutally and viciously. You can’t win a fight by
being defensive. You have to defend yourself but at some point you’re going to
have to go on the attack. You’ll have to find a way to initiate an attack or
counterattack your opponent’s attack. You can’t keep evading and blocking his
attacks forever. If you don’t do something to discourage him or hurt him he’ll
keep trying until he finally connects. You have to fight back.
You’re more dangerous with a weapon. Use whatever is
available. Don’t fight him empty handed if you don’t have to. Use the element
of surprise. Throw something at him. Spit in his face. Startle him with a loud
unexpected noise.
If you’re forced to fight empty handed fight smart.
Forget about pressure points. Most of them are too small to access on an armed
and moving assailant. In that type of fight there are three areas of attack. If
he can’t see he can’t fight. Attack his eyes. Compromise his vision. If he
can’t breath he can’t fight. Compromise his ability to breath. If given the
opportunity, attack the throat or the solar plexus. If he can’t stand he can’t
fight. Attack his foundation. That includes his insteps, toes, ankles, knees
and shins. Often these areas can be accessed with minimum risk to you. If you
can get access to a joint or a limb go for bone breaks or joint destructions
rather than attempting a disarm. His personal safety ceases to be your concern
when he threatened you with a weapon. Until he is incapacitated or subdued err
on the side of maximum damage.
Lastly, expect to be injured. If by some miracle you
aren’t, well and good but don’t go in expecting to walk away unscathed. If you
are cut or stabbed your life depends on your willingness to keep fighting. He
isn’t going to stop because you’re hurt. You have to fight back if you hope to
survive such an encounter.
In an encounter of this kind your survival depends on
your willingness to not only defend yourself but to hurt, injure or kill your
assailant. I’m both a Christian and a minister. I don’t advocate unnecessary
violence but you have a right to defend and preserve your life. It’s your duty
to protect you family and loved ones. There’s no guarantee that you’ll win such
a conflict even if you fight with all of
your skill and courage but I guarantee you that you won’t live if you
aren’t willing to fight back. If you’re willing to take a punch in the nose and
turn the other cheek that’s your choice. You may take a beating but you have a
good chance of surviving that type of attack but when that same opponent is
armed, turning the other cheek isn’t a viable option. If you choose such a
course your death won’t be just murder. It’ll be suicide.
I’ve had the fortune or misfortune of being involved in
several knife fights. I’ve also had occasion to face several such opponents
unarmed. I’ve been both cut and stabbed and still managed to take down or get
away from the assailant. On the other hand I have actually managed to defeat an
armed opponent without being injured. Whether those instances were because of
my high level of skill or my opponant’s ineptitude is open to argument but I’m
still here to tell the story. I have no illusions about my martial abilities.
Surviving such an encounter has as much to do with God’s grace and mercy as
with my skill or my opponent’s lack thereof. I would never willingly find
myself in such a situation if given any choice. My solution for this is to go
armed. Because of several surgeries I carry a cane (and I’m not afraid to use
it) but I’d probably carry one even if I didn’t need it.
I would advise you to train realistically to develop
usable skills. I’d further advise you to develop your killer instinct and
develop a level of fighting aggression. Forget about fancy or complex
techniques. They probably won’t work when you need them most. Keep your
techniques strait forth and simple. If you have to defend yourself be willing
to take it as far as you have to. Against an armed assailant you have to be
willing to take it all the way if you have to. You aren’t fighting for a medal
or a trophy. You’re fighting for your life. You have to fight like your very
life depends on it. Forget about fighting fair. There’s no such thing as a fair
fight. If you’re going to fight then fight. Don’t half fight or kinda fight.
Give it everything you’ve got with conviction and lethal intent. There are no
runner ups in a knife encounter. If you win, the prize is your life. If you
lose… Well let me put it this way; I hope you’re right with God.
In conclusion let me say this. The best fight is the
one you can avoid. Next to that the second best is the one you win. Not
managing either of those the third best fight is the one you survive. In the
end that’s what it’s all about. If you don’t survive the encounter you can’t
take it back to the drawing board. All I
can say is if you must die in such a situation sell your life dearly. Death is
always a possibility. The ancient samurai went into every battle expecting to
die. If death proved to be inevitable he sought to die well.
Train hard and train realistically, my brethren. Go
with God.
Dr. Donald Miskel
TAIKEN
RYU – GOSHIN JUJITSU
Bernardo
A Martino
Founder – Bernardo A Martino 2011
ABOUT THE
FOUNDER
I started my
Martial Arts Experience at the age of 13 in 1958 when I started learning Judo
and Aikido from family members who needed a training partner for their practice
at home. In 1963, while in the US Army, Stationed in Taejon, Korea I studied
Judo, Aikido, and Tae Kwon Do.
After the
Military I trained in various martial arts clubs, as well as with martial
friends, relatives, and took private lessons with a former Marine Combat Judo
Instructor. Over the years I have also attended various martial arts workshops,
seminars, and private practice sessions in Tae Kwon Do, Judo, Aikido, Jujitsu,
Tai-chi, Qi Gong, Hapkido, Krav Maga, Kyusho, and Tang Soo Do.
For 18 years
I was employed in Security, Campus Police, and Special Police Positions where
my continued martial training became very important to me, the last 6 years I
was Chief of Security where I trained my officers in martial tactics and self
protection. I passed my knowledge on to my 3 children who also practiced
martial arts and my oldest son, now having over 20 years in the arts, also has
obtained black belts and continues to train and teach. I also continue to work
with family members, and also give private lessons in Self Defense mainly to
people being bullied or abused.
Significant
Dates:
1963 & 64
- Taejon, Korea Tae Kwon Do Club – Green Belt
1965 to 67 –
Private study, Bryan Duofo (3rd Dan Instructor) – Awarded 1st Dan TKD
The World Musha
Shugyo Association recognized me as an 8th Dan in TKD in 2002.
In 2011 I was
recognized as a 9th Dan, Founder, of Taiken Ryu – Goshin Jujitsu by The
American Federation of Jujitsu.
In 2012 I
became recognized as a 1st Dan in Tang Soo Do by Master Kang Rhea’s World Black
Belt Bureau, through David North-Martino 3rd Dan.
My Taiken Ryu
– Goshin Jujitsu is taught Strictly for Personal Defense use.
WHY A NEW ART
?
Having
studied and practiced a number of martial arts over 50 some odd years it
occurred to me that there was a segment of our population that wasn’t being
served.
Every year
experienced Black Belts break away from their Masters, change a few things in
the art they have been practicing for years, and start their own “new Martial
Art Style.
This has been
going on since the 1800 !
The problem
that I’ve seen is that although there are many “new Arts” that have developed,
the traditional belt structure has remained pretty intact and practitioners
still
Need to study
an art for many years !
Most Martial
Artist, because of their love and dedication to the martial arts, don’t mind
spending years learning the art. However,
There are a
number of people that for whatever reason, don’t want to spend many years
learning to protect themselves. They are the today generation. They want to
know it now not 4 years from now ! I had been asked a number of times from
students, do I really have to know the whole curriculum just to be able to
protect myself ?
Looking at
that question I came to realize that “most” people don’t need to know a whole
martial art curriculum just to protect themselves from the situations that the
average person is likely to find themselves in.
With all the scuffles that I’ve been in over the years I find that there
are only a few techniques that I’ve ever had to use, even when dealing with
multiple attackers at the same time. 40 to 50 Techniques are more then enough.
Researching
this further, and maybe because I have studied so many different types of
martial arts, I started going through the different arts and taking the
techniques that seemed to be the best of that art, that are easy to learn and
apply, and seem logical as the simplest defense for a given attack, and started
clustering them together on paper….
The Martial
Arts that I used are: Tae Kwon Do and Tang Soo Do Karate, Judo, Jujitsu,
Aikido, Hapkido, and Kyusho . Some
people call Kyusho the pressure point art, But it is really more about Nerve
Strikes. My feeling is that No Matter
what art you study and practice, Kyusho should be a part of that art ! It is actually an art in itself, but coupled
with other arts it’s unbeatable I believe.
So we could
say my New art takes Strikes and Kicks from Tae Kwon Do and Tang Soo Do, Throws
and Takedowns from Judo, Locks and Leverage techniques from Jujitsu, Aikido,
and Hapkido and mixes in Nerve points of Kyusho. What we have is a the best of
each art for any situation.
I also find
that if you practice the principals until they become a reaction, meaning you
can do them without thinking about them, you just react to the situation, you
progress much quicker and don’t have to learn a whole curriculum.
Because you
don’t need to learn a whole curriculum, but only have to master a few
techniques to be able to protect yourself and other, this means you don’t need
to study this art for many years like all the traditional arts. For this reason
I also don’t give belts in this art. A colored belt is not going to help you
when you’re attacked unless you plan of putting it around the attackers neck
and strangling them !
Also, take
into consideration IF you have to use what you have been taught to protect
yourself... The very first thing I teach a student is the Massachusetts self
defense law.... UNFORTUNATELY... When the police
arrive on the
scene of an "incident", they "usually" always arrest the
winner of the "fight" . ( They call it a fight, you know you were
assaulted ! ) It will take them some time to get all the facts and put
everything together... mean while... you're getting locked up ! No matter what
you say !
Do you know
how many times the police have heard... " I was just protecting myself !
He started it ! " etc. etc. It's much easier for them to lock you up and
let the attorneys sort it out ! Usually, what the police see is the winner of
the "fight" is the person who started it, the aggressor, and this is
why they will arrest you. Because you won !
IF for some
reason the circumstances of the incident aren't "Perfectly Clear",
for whatever reason, you're going to find yourself in court.... Criminal court
first, then possibly civil court later...
Your defense
attorney will say you were attacked and were using self defense as allowed by
law ! Which will be true ! Lets say you have been taking martial arts lessons
for 3 years.... you're only a colored belt and Not a black belt yet....
When the
prosecutor learns you have studied Martial Arts the first thing he's going to
say is: " This person has been studying how to hurt people for over three
years now !!! He couldn't wait for an excuse to use his training on some poor
person, just to prove to himself that he's a bad ass martial artist ! "
They are going to do and say everything they possibly can to make it look like
it was YOUR fault !
Now,
remember, after this criminal court case, the person can turn around and sue
you in civil court too ! Once again his attorney is going to say you have been
studying to hurt his client for years, you couldn't wait to try out your new
techniques on his client, etc, etc. Once again they will make You the bad
guy.....
Now, IF no
one knows you took a few classes, you don't have a belt, you're not a member of
any martial arts "school" or Organization, and there's no formal
record of any training, well then, you were just a person who was attacked and
got lucky by just moving your hands and feet around because you were scared out
of your mind and didn't know what else to do !
Under these
circumstances, as long as you were in the right and met the standards of the
self defense law, there shouldn't be any court cases at all ! And even if there
is, they wont be able to say that you have been studying how to hurt people for
years, only that you got lucky and were able to protect yourself !.
This is just
one more reason I don't "usually" award belts !
For the
protection of my students.
If a student
practices an hour a week with me, and a few hours a week at home, Usually
within 6 months or so the student has learned enough and is proficient enough
to no longer need to come to classes….
So this becomes a short training program in self protection.
When I teach
my self defense lessons, the person pays for my time. ( an hourly rate)
There are no
associations fees, no purchasing of martial arts uniforms because normally when
you need to use your self defense, you will be in your everyday clothes, not a
martial arts uniform, So, we practice in what you will normally be wearing !
There are no
"school" fees.... There is no contract locking you into a year or
more of training....When you show up for training you pay that days fee.... if
you don't come for training, you don't pay.... Because I don't award belts,
there are no test, so there are no testing fees, and no belt fees !
All you pay
is for my time when you Actually train !
If you live
in the Central Massachusetts area and you’d like more information or to set up
a training schedule you can contact me at: self defense. concepts@yahoo.com
COMING
OF AGE
Donald
Miskel
I absolutely
adore children. Next to women I think that children are one of God’s best
inventions. Infants, babies, toddlers and children; I love them all. Teenagers
on the other hand… But that’s a thought for another time.
Every living
creature progresses through stages in its life. Adulthood is reached over time.
Maturity is a process. It doesn’t happen overnight. This rule isn’t just
limited to human growth but is common in just about everything that progresses
into a functional stage. The martial arts are no exception.
I am being
inducted into the Museum of Sports Karate this month as a ‘History General’.
What that implies is that I’m so old that I have been involved in the martial
arts since the dark ages. Not actually but I have been involved in the arts
long enough to see it grow into what it is now. Sometimes watching what unfolds
before me I suspect that we’ve reached senility and we’re entering into our
second childhood or maybe we are retarded in our growth and still acting like
children when we should be adults. The bible speaks of drinking (mother’s) milk
when we should have progressed to eating meat. Unfortunately some of us are in
a state of arrested development and we’re still acting like playground bullies.
I’ve never seen so much pushing and shoving in my life. We’d do better if we’d
go on and fight and get it over with. All of the growling, snarling and
posturing is bordering on the asinine.
In spite of
what I see I still have great hope and faith in the martial arts to become what
it is capable of being. We should have left our childhood behind long ago. It’s
time to grow up.
Regardless of
what we may be told there are no big I’s or little U’s in the martial arts.
There is no martial art aristocracy. We are martial artists. The martial arts
are about fighting. We aren’t exactly dealing with brain surgery here. Never
the less, the martial arts can accomplish amazing things if we allow it to grow
out of its infancy and come of age.
Actually, all
of us aren’t guilty of martial art retardation. Some of us are growing or have
grown to maturity. Our primary focus is (or should be) self realization and the
growth and inspiration of our students. Bickering and infighting will not
accomplish this goal. If anything it will inhibit the arts from reaching their
full potential and our students from reaching their goals. If children see
nothing but arguing and fighting from their parents it is hard to expect much
more from them. We’re deceiving ourselves if we act like children and think
that our children will grow up to be responsible and sensible adults.
Growth is
necessary if we are to survive. Children can’t take care of them themselves and
they certainly can’t raise and take care of other children. Growth inspires
growth. Intelligence breeds intelligence. Our children garner their inspiration
and get their guidance from us.
I am a member
of the Black Dragon Fighting Society. I’ve been involved in it since its
inception. I’m one of the patriarchs of the organization and one of its senior
grandmasters. I saw it in its wildest days. Its adolescence was something to
behold. We were a wild bunch back then. We were born in controversy and we
continued in the same for a number of years. Like all things, however, we went
through a gradual change. We grew out of our childhood into adulthood. As most
teens will, we grew out of that wild stage and have become mature and
functional adults. Unfortunately our past has worked against us. The rejection
of the past that made us much of what we were then still continues till this
day. We are still ostracized by many.
In the legal
system a minor’s juvenile record is closed if not expunged when he reaches
adulthood. What he did in his youth becomes a closed issue. In effect, his
youth can’t be held against him in adulthood. Children grow up. The apostle
Paul said, “When I was a child, I spoke as a child, I understood as a child, I
thought as a child but when I became a man I put away childish things. (1ST
Corinthians 13:11)” We have, in effect grown up. We have become mature adults.
I have been
blessed to see this transition. I have lived to see this historical
organization grow out of its infancy, through its adolescence to where it is
now. The culmination of this transition was so wonderfully demonstrated this
past weekend (Oct. 5-7). We had our reunion seminar conference in Lexington
Kentucky. The attendance was great and the air of camaraderie and brotherhood
permeated place where it was held. There were individuals from many schools,
systems and organizations. Even other countries were represented. With the
mixture of styles, races, religions, creeds, colors genders and nationalities
there wasn’t a hint of dissension or politics. Everyone was about sharing and
learning as much as possible in the time allotted. Every seminar was well
attended and well received. No-one was criticized or ill spoken of. I have
never seen anything like it in my fifty five years in the martial arts. I was
proud to say that I am a Dragon. I don’t think that anyone went away feeling
short changed or disappointed. The whole thing was a great success. The high
point of the convention was the ceremony recognizing the veterans in attendance
and honoring our fallen and lost comrades at arms. It was beautifully done. It
was recognized by the governor of the state (Kentucky), a senator and mayor. It
was wonderful to see and be a part of. As a veteran I truly felt that my
contribution was appreciated. Many of us who served in the Viet Nam conflict
have long awaited such recognition. For those present, wherever they served,
they were reminded that their service meant something to our people and our
country.
I love the
martial arts. I approach it with acceptance and tolerance of other styles,
organizations and systems. We each practice at our own level for our own
purposes but the important thing is that we all practice and we are all martial
artists. We are a fraternity; a brotherhood. We embrace different ideas and
philosophies but we are brothers never the less. It would be wonderful if we
acted as such. We are past the point where we should be acting like spoiled
children. We should act as an example to the rest of society. After all, as
martial artists we are held to a higher standard.
God bless you
my brethren. Train hard and go with God.
Dr. Donald Miskel
GOOD
OUT OF THE GATE (TEACHING FROM EXPERIENCE)
Donald
Miskel
I just got
home from teaching my Saturday morning martial art class. Everything hurts. My
orthopedic surgeon and my pain management doctor warn me against what I do but
you see how much good it does. Anyway, my own personal experience got me to
thinking. Hench this article.
There are
many elements that constitutes mastery of a martial art or any other endeavor,
for that matter. Mastery requires time, effort and experience. There are other
elements that are necessary to attain mastery of any art. According to what one
is trying to master there are many variables but these three are requirements
regardless of your area of expertise. The martial arts are no exception. If
anything these elements apply even more to the mastery of a martial art
discipline than in most other arts. Mastery, if attainable by a particular
individual is going to occupy a major portion of his life.
Martial art
mastery doesn’t happen by accident. It requires deliberation. One doesn’t back
into such an achievement. He has to strive with that result as a goal. If
you’re blessed with the physicality and coordination; If one has a measure of
athleticism and the time to dedicate to the study of his particular system he
will probably become a black belt. Things aren’t what they once were. Back in
the day it didn’t matter how much you studied or how hard you trained everyone
couldn’t and didn’t make black belt. The standards and expectations of the
sensei and the system has changed over the years. If you’re determined and have
the time to dedicate to your art you will attain shodan and maybe higher.
Everyone will not become a master.
By the time
one has dedicated his life to an art and fulfilled the necessary sacrifices to
become a martial art master many years have slipped by. His original ability
has waned even as his knowledge and wisdom has grown. It’s a trade off. Time increases knowledge
but it robs one of youth. it will take about forty years or more to reach hachidan
(eight degree black belt) and even longer for kudan or judan if those ranks are
available for the practitioner. In many systems those rarified ranks are
reserved for the master and grandmaster of the system. Except in rare cases, if
a practitioner is able to reach ninth or tenth degree, fifty or more years of
study have been dedicated to his art. By that time he is no longer burning up
the tournament circuit or terrorizing young thugs in the streets. If he is
still involved with the art at that age he may do a little teaching but
primarily he will walk around (if he can still walk) looking important and
wise. Or perhaps he is doing what I am doing now, presenting himself as an
authority of all things martial.
Saturday
morning kung fu movies (the older generation will know what I mean) have
instilled us with a vision of old octogenarian masters flying through the air
like eagles and beating up on young fighters. It works on films but in
actuality it loses something in translation. Age takes a toll and most of us
aren’t what we once were. We know more and can do less. In a real world that’s
what happens.
I have
dedicated fifty five years of my life to studying and teaching the arts. I still
do both in spite of age, injury and several radical surgeries. If I had good
sense I would sit my old butt down somewhere but as we all know by now that
isn’t going to happen. Consequently, I do what I can. I teach children and
several individuals who work in ‘at risk’ professions. I teach police and
correction officers, security personnel and psych professionals. I have worked
in several of those professions and know the risks that these individuals are
exposed to and how to address some of them.
I am supposed
to do a couple of seminars and demonstrations at a couple of large important
gatherings in the coming months. I was a bit worried about being able to
perform at a level that will compliment my rank. Several things happened to
allay those concerns. I did an interview for a martial art documentary and the
ones who did the filming and watched me teach my class (one an experienced
martial artist) expressed appreciation for my abilities, form and technique. He
even thought I had the physique of a
much younger gentleman. While I must admit that god has blessed my with a
decent physique considering my age I have to mention that he hadn’t seen me
with my shirt off.
I had pretty
much given up on teaching because of age and injury but my ministry (I’m a minister
and pastor) found me back in the dojo. I had pretty much resigned myself to
managing the organization that I headed and writing the occasional article. God
has a way of ordaining certain things in our lives that take us out of our
comfort zone. What a difference a few months make. I find myself having to turn
down teaching opportunities now. Never the less I still just teach my children
classes and my specialized classes for those afore mentioned individuals. I’m
not teaching tournament champions and I’m not quite ready to compete in kick
boxing or MMA matches but I am still active in the arts and will be in some
capacity until they plant me.
As I have
said and will continue to say, a master is a master because of what he knows,
not because of what he can do. If he is only able to give verbal instruction or
is only able to teach in slow motion he is still a master and you would be a
fool if you discount his knowledge because of his waning ability. He is a store
house of knowledge and ability. Those of us who have opportunity should avail
ourselves of the wisdom that they offer.
Speaking of
myself again, I want to say that I’m good out of the gate. For five minutes I
can be your worst nightmare but if you can outlast me…
My brethren I
admonish you to give honor to whom honor is do. Venerate those who have gone
where you someday hope to be. Don’t worship him but recognize his knowledge,
wisdom and his contribution to the arts. Maybe, if you stay the course and
continue to train and study you will reach the place that they have. You can
only hope.
God bless
you, my brethren. Train hard and go with God.
Dr. Donald Miskel
LINEAGE
AND THE TRADITIONAL MARTIAL ARTS
Donald
Miskel
I probably do
enough writing for ten people. It’s not so much that I’m insightful or prolific
as that I’m opinionated. I’m a preacher and pastor by vocation. Pontificating
is in my nature and preaching and teaching is in my blood. In my past I’ve been a Psych professional and
a counselor. I have the training and the degrees to back up my experience. My
passion aside from preaching is the martial arts. I’ve dedicated fifty five
years of my life to training in and teaching the arts.
My career in
the arts began in judo and jiu jitsu. From there I went to karate, kung fu and
kempo. I have a long background in the classical systems of the martial arts.
Since that time I have combined the arts that I’ve studied along with life
experience and personal insight into an eclectic system that is combative in
nature. What with working in psych, the penal system and on the fringes of law
enforcement; growing up in the toughest areas of one of the roughest major
cities of our nation, fighting in its mean streets trying to survive and
experiencing war and military combat (some of it hand to hand) I have a pretty
good grasp of practical self defense and combat. I’m no tournament champion but
I can fight and I had a reputation that proved I did it well.
I try to keep
my finger on the pulse of the martial arts community, its trends and direction.
Sometimes seeing what I see in the arts and the martial art community baffles
and often saddens me. The martial arts, especially in the U.S., have always
been rift with politics but it’s worse today than it’s ever been. Some of us
have taken it upon ourselves to criticize and ostracize some of the rest of us.
Who have made certain of us the martial art police is a mystery to me but some
of us seem to have assumed that position. We feel that we have somehow earned
the right to determine who is worthy of acceptance and who isn’t; who is real
and who is phony and so on. It is my belief that those who believe and have
faith in us will follow, validate and support us. Actually, the effectiveness
of our arts validates us. What else should a fighting art require?
One of the
things that cause these divisions is the rift between the classical and
eclectic styles. Then there is the division between the combative and sports
aspects of the arts. Part of the reason for this is the almost religious
reverence shown to the originators and creators of the arts that we train in.
Many of us will fight to maintain the purity of our arts however time and the
modern demands of combat show them to be impractical. Please understand me. I’m
not criticizing these arts or the ones that follow them. There are many reasons
for practicing the martial arts. If the traditional approach fulfills your
needs then by all means follow them. There is a richness and beauty inherent in
these arts that make them well worth studying. I just have a problem with
anyone who teaches an art that was designed to answer the needs of a feudal age
hundreds of years past and declare them to be the consummate self defense
system for this modern day. If an art has to be tweaked too much just to make
it practical I question its ability to fulfill the needs of modern day combat.
All of the changes required to make them workable changes the art and at that
point it is no longer the art originally created.
There is a
lot of controversy concerning eclectic fighting arts. If one would be honest he
would realize that most of the arts that we study today are eclectic in nature.
Master Funakoshi, the creator of shotokan karate studied both naha-te and
shuri-te. He combined these to create what we now consider a classical system.
Likewise with Master Oyama’s Kyukushanki karate and many others. Most of the
Korean systems are a synthesis of Korean and Japanese systems. Likewise the
Okinawan systems are comprised of Chinese influences as well as Okinawa’s own
indigenous arts. There are few pure systems that have not been influenced by or
distilled from other arts.
It’s good to
be loyal to our particular styles and systems of martial arts and to show
appreciation and admirations to those who made them what they are but we must
keep in mind that these people were only men. Many Eastern countries have taken
the recognition of lineage to a level that approaches ancestral worship. Japan,
for instance, is a Shintoist country. That is to say that Shinto is their
traditional religion. Their faith involves a deep veneration of ancestors. This
is true to an extent in most Eastern countries. Those attitudes influence the
way the martial arts have traditionally been taught. I believe in giving honor
to whom honor is due but no-one on earth has yet to create anything that is
perfect. All martial arts have their shortcomings and sometimes their flaws. In
the end a martial art is as good as what it accomplishes. No martial art was
created by a god and none of them will make us into supermen. In the long run
it is the man that makes the art and not the art that makes the man. An art is
no better than those who practice it.
I encourage
every martial artist to continue studying. If you are satisfied with your art
continue in it. However don’t tear down someone else because he follows a
different approach. We each must find our own way. The way may be blazed and
the path laid out before us but it is up to each of us to walk it or decide on
a different path. No one way has every answer.
It isn’t
anyone’s job to validate another just as it isn’t his job to defame another. We
are at liberty to seek our own path and shouldn’t have to suffer the abuse of
others because our path doesn’t coincide with theirs. It’s time to grow up. All
of the infighting and backbiting only denigrates the arts. It makes us look
like a bunch of grammar school bullies trying to secure our reputations at the
expense of others. There are no aristocrats in the arts. We are all fellow
martial artists whatever we choose to study or to teach. If a system isn’t
efficient it will die on its own. It doesn’t have to die under the gnashing
teeth of a pack of rabid martial artists. If you don’t care for or believe in a
particular art, its creator or its practitioners just leave it alone. It will either
succeed and grow or it will die a natural death.
God bless you
my brethren. Train hard and go with God.
Doctor Donald
Miskel, Thd, CCD, MDiv.
THE
DEADLIEST MAN ALIVE (GETTING OVER OURSELVES)
Donald
Miskel
Personally I think that I’m one of the deadliest men on
the planet. My Natural ability, my conditioning, my physical prowess and my
superior training puts me in contention for this coveted title. Not!!!
Okay, since I’m not in the running who is the deadliest
man in the world? Back in the day it used to be Count Dante, or so he told the
world. Of course that self imposed title was a marketing tool. So who fills
this slot today? Several names come to mind. Kelly McCann is one. Mark’ The
Animal’ Young is another. And then there’s Danny Inosanto, Larry Tatum, Paul
Vunac and several other individuals that I can name. Please don’t be offended
if your name isn’t included. Those named was for illustration purposes.
Who cares about someone’s physical prowess? The question
only comes to play if you plan to contend with them one on one. That only
happens in muggings and barroom brawls. No-one does that any more. Everyone who
knows me knows that I’m a martial artist and in a physical confrontation I’ll
probably knock their hat around backwards or twist off their head. No-one’s
going to engage me in hand to hand combat which is good because I’m of the same
mind set. I don’t believe in fighting. I believe in resolving physical
confrontations. Fighting involves two people going heads up. That means that
both has a chance of winning. I don’t do that. I’m going to set the stage so I
know I’m going to win. That doesn’t involve allowing you a fair chance. This
isn’t high school football we’re talking here. This is life and death combat. I
grew up in the inner city of Chicago. What we used to call the ghetto. Issues
are resolved by drive by’s, surprise attacks and gang attacks. If someone is
stupid enough to stick a gun in my face I’ll take it from him and pistol whip
him If I don’t shoot him. I don’t worry about that. I worry about the sniper or
the back stabber. The ones who stack the deck in their favor.
Back in the day I’d destroy anyone who threatened me. I
don’t deal well with threats. I may be able to deal with it when you launch
your future attack or I may not. That depends on what you do and how you do it.
I know I can deal with you here and now.
So back to the question. Who is the deadliest man
alive? If we want to be honest I’ts probably the President of the United
States. Not because all of the reasons (stupid in my opinion) that my
conservative brothers give but because he heads the most powerful nation in the
world and he has his finger on the button.
What I’m trying to say is this; we need to get over
ourselves. Who’s real, who’s fake? What systems are authentic which ones are so
much B.S. Who’s tougher than who (my kung fu is stronger than your kung fu.
Humph, my teacher is greater than yours. I’ll beat you with two strikes). Let’s
be realistic here. Most of us aren’t ready to deal with a trained soldier. Many
of us wouldn’t survive two days in a federal or state prison and most of us
aren’t ready to face a seasoned street fighter. I’ve worked in prisons and on
psych wards that housed the ‘criminally insane’. I’ve seen what the inmates and
patients are capable of and believe me my brother, you aren’t ready to deal
with that. A sane man will hesitate before he’ll cut your throat. That’s the
only advantage that the sociopath needs.
Most of us aren’t as dangerous as we think we are. In
my lifetime I’ve known of several really good martial artists that were cut
down in the streets. None of them died in a one on one street fight. They were
just taken out in the most effective and economical way possible.
We do all of this in fighting and posturing. It is my
understanding that the empty wagon makes the most noise. Those that brag,
threaten and belittle others do so because of their own insecurities. Who cares
if you underwrite my theories or believe in my system? I’m known and supported
by my peers; those that believe in me. If you don’t fall in that category, oh
well. That’s your loss, not mine. Just understand this. Unless you’ve grown up
the way that I have; unless you’ve had to survive in the worse streets of a
major city; unless you’ve had to be involved with real military combat, you
aren’t ready to deal with me or anyone like me. If I felt threatened by you
I’ll deal with the situation but you can rest assured that it won’t be in one
on one combat. I’m not trying to prove who’s the better man; I’m resolving a
conflict and solving a problem in the most convenient way possible. Does that
put me in contention for the aforementioned title? I think not. I’m not
dangerous. I’ll never attack you or do you harm. Not unless my life and
personal safety or the well being of a loved one hangs in the balance. I’m not
a sociopath.
My brothers, instead of trying to destroy each other’s
reputation and question their credibility we should be trying to support each
other. We’re family by way of a common interest. We belong to the same
fraternity. None of us has a monopoly on physical prowess. None of us has the
perfect infallible system. In the end, the man makes the system, the system
doesn’t make the man. Your system being founded by so-in-so or headed by
whoever doesn’t make you a better fighter.
So in the martial art community who is top dog? Who’s the best fighter?
Who’s the toughest? Who cares? Hopefully we’re too mature to act like a couple
of grammar school kids. “My daddy can beat your daddy.” Grow up. Ain’t none of
us more dangerous than any of the rest of us (ghetto speak). All of us are
brothers under the skin. let’s get over ourselves and be the best martial
artists that we can be collectively and individually.
By the way, my daddy can whup yo daddy.
god bless you, my brethren. Train hard and go with God.
Dr. Donald Miskel
A DOJO IS
Dai-Sensei Christopher Lucente
A Dojo is a place for learning “the way”. The way is
all things.
All things includes modesty, triumph, humility, acceptance,
character and determination, but also regret, failure, ego, status, anger and
selfishness. Learning these things and accepting that they are all a part of
oneself, but that it is the self that decides what is best is the way of a good
dojo.
A dojo is a
place to develop the body and exercise the mind which touches the spirit. A
dojo is a place to develop the mind and exercise the body which touches the
spirit. Always, a dojo should touch ones spirit and bring inner peace.
A dojo is a family. It is a hierarchy from those who
teach to those you teach and includes all those who would see learning
accomplished. It is mothers, fathers, brothers, sisters and friends who give
you a lift. A good dojo does not turn away anyone who would see learning accomplished.
A good family begins with compassion, forgiveness and opportunity from one’s
peers to succeed. Family means love, even during hate.
A dojo is a place to rescue those who have no guidance,
to find the way from those also seeking it, to create strength in numbers along
a journey that one takes for themselves, this is not a paradox. The man who
drives from coast to coast to see the land does so only because along the way
someone put gas in his tank, built the roads and died for the privilege of doing
so. How far one goes in learning the way is up to them, but a good dojo offers
all the support they need to get there.
A dojo is a second chance as it is a first beginning.
It is where what someone looks like on the outside, what they have done and why
become tools to better both their own view of the world and the view others
have of them in the dojo, it is a place where balancing beliefs and notions,
fears and hypocrisy become a simple matter of understanding and knowing those
you may not understand. A frog knows his pond well, but not the same as the
fish. If they took the time to understand each other rather than turn each
other away because of their differences, they would see that the commonality of
the art of the way is a door to the common ground of everything else. One
difference should never dissuade a thousand similarities.
A dojo is as it was and will always be. Among Confucian
thought, all things serve another in a hierarchy, lord to servant, husband and
wife, eldest to youngest. There is one exception in this rule, that of friend
to friend. Only friendship honors an opportunity for equality without
hierarchy. Even so, it was the duty of the youngest to inform the eldest if he
was not performing well as a superior, and the duty of the eldest to think on
those words and thank the youngest for his assistance, as it was an honor to be
informed of a misgiving or fault to better ones character. The good dojo is
both the hierarchy and it is the friendship, all should be taught and all
should become equal.
A dojo is a home, when home is where the heart is and
not where the laundry, bills, broken sink, bad breakup, failed business, lost
pet, sad memories or worries for tomorrow happen to be. It is a refuge and the
cure for chaos, if only for a few hours.
For a very long time, I had no dojo. Shidoshi Kokes
taught me to honor the dojo, because it would be the one partner who would
never show up late to help me train, the one friend who would always offer me
assistance and insight into my character. Because of my dojo, I have never been
arrested, never been hooked on drugs and never felt as alone as I could have
felt without it. I was never the average kid and I grew into a not so average
adult. My appearance is not standard edition and my methods of conduct and the
things I say or do, like anyone, may not always be popular with everyone, but
one thing I do not question about myself is that I honored my master and I
honor the memory of that dojo.
When Sensei Sass invited me into his dojo, He invited
me into his family. He invited me to protect and look out for the school and
the development of those who train and teach there as if they were family.
Family fights and bickers, but what good one doesn’t? Eventually family looks
past the past and that one thing becomes trivial again and something was
learned in the process. Everyone who understands the need to experiment and
create something new has made mistakes along the way in that process. A good
dojo and a good family forgive a mistake and support one another when
improvements are attempted. Sensei Sass is a master, and I am honored to call
him family and friend just as I am honored to serve his dojo any way I can.
If you are reading this, and you left the dojo for
personal reasons, it will always be there waiting for you. Dojos do not hold a
grudge and they always lend an ear if you need it. Today, a great kindness was
done for me and my family by a member of the dojo who is not sure about
attending that shows me more about that persons character than they could ever
know. My family has been protected in a way that was a worry, but thanks to
this person, no longer applies and with great humility, Thank You so much.
Others recently left because of a mistake I made, which
when presented to me, I humbly rectified. This person questioned my character.
I would ask that they know me better and read where I come from before making
up their mind and ask that they not leave over a small disagreement that
happened during what I felt were friends around a circle talking. I was not
knowledgeable enough and a mistake was made, and I have no shame in admitting
my fault, but I would ask that instead of denying themselves a place in this
dojo and leaving, accept my apology and offer guidance instead. I would not
refuse a lesson from anyone who honors me with their time.
Finally, there are those who have left and we don’t
know why. You will be welcomed when you find you need the support, and if you
decide not to return for whatever reason you have, there is no such thing as a
“former” student.
Thank you all.
INTERNATIONAL MARTIAL ARTS AND
SPORTS AWARD CEREMONY 2011
Rizwan Mustafa Zubairi
The
Zubairi’s Martial Arts Sports Trust-International organized International
Martial Arts & Sports Award ceremony 2011 at Sindh Olympic House, Sindh
Sports Complex, Nazimabad # 2 Karachi, Pakistan on October 29, 2011 in
collaboration with World Organizer of Martial Arts.USA.
The
chief guest of the occasion was Dr Muhammad Ali Shah (President Sindh Olympic
Association) and Member Provincial Assembly Govt of Sindh, Pakistan.
The
aim and objective of Zubairi’s Martial Arts and Sports Trust is to develop
learning, teaching and friendship of martial arts and sports among all of us
and to recognize the efforts of promoting such things on international level. Master
Zubairi had informed the audience that he is closely working with Kukkiwon for
Taekwondo promotion in Pakistan for highlighting Taekwondo as martial arts
among youth, with respect to close combat arts he informed that we are also
promoting Yong Moo Do as Korean martial arts especially in ground fighting and
close combat situations. Rizwan Mustafa Zubairi, The international Master
Instructor in Korean Martial Arts of Taekwondo-Hapkido-Yong Moo Do and a
Certified Sports Administrator from Olympic Council of Asia in his speech
informed the audience and awardees that he is promoting the Korean Martial arts
with the support and guide lines of Kukkiwon, World Yong Moo Do Federation,
Universal Taekwondo Union, World Taekwondo University, Korean Hapkido
Federation and Korean Martial Arts Instructors Association. He recently
returned from South Korea and has advance training in Kukkiwon Taekwondo and
Yongmoodo.
Prof
M.I.Tianero, the founder of World Organizer of Martial Arts had specially
approved the international award certificates for Pakistan’s eminent sports and
martial arts personalities with the strong recommendation of Master Zubairi. In
his message to awardees he said that martial arts and sports give strong health
and positive mental attitude and we present this award to you in recognition of
your outstanding, unselfish support and dedication that leads to the success of
martial arts and sports internationally and your hard work to educate people
and community around us is highly appreciated by all of us.
He
distributed the International awards to the eminent martial artists and Sport
personalities.
Grandmaster Absar Hussain Shah (Grandmaster Award in Kick
Boxing)
1.
Master Shabbir Hussain (4 th Dan Taekwondo)
2. Master Rehman Shah (4 th Dan Taekwondo)
3. Master Sadiq Ali Kazmi (4 th Dan Taekwondo)
4. Safdar Ali (3 rd Dan Taekwondo)
5. M.Altaf Khan (3 rd Dan Taekwondo)
6. M.Furqan (3 rd Dan Taekwondo)
7. Shahid Shaikh Siddique (2 nd Dan Taekwondo)
8. Sadaf Gull (2 nd Dan Taekwondo)
9. Abid Alam (2 nd Dan Taekwondo)
10. Irshad Khan (2 nd Dan Taekwondo)
11. Alamgir shah Afridi (2 nd Dan Taekwondo)
12. Amjad Ali (2 nd Dan Taekwondo)
13. Arbash Khan (Silver Medalist Int’L Amateur Muay Thai Championship 2011)
14. Farzana Khanum ( Women Kick Boxing Association)
15. Musheer Raza Rabbani (Incharge Sindh Sports Board,
Sports Complex.)
16. Syed Nabeel Shah (Swimming Instructor)
17. M.Taqi (Secretary Karachi Scouts Association)
18. Javeed Kiani (Swimming Instructor)
19. Rukhsan Aziz (Sports Instructor)
20. Rashid Ali Siddiqui (President-Pakistan Sports Writers
Federation)
21. Ubaid-Ur-Rehman (Secretary-Sports Journalist
Association of Sindh)
22. Wajid Raza Isfahani (Treasure-Karachi Union of
Journalist)
23. Yahya Hussani (Vice President-Sports Journalist
Association of Sindh)
24. Muhammad Ali (Secretary Sindh Judo Association)
25. Naseem Qureshi (Secretary Sindh Karate Association)
26. Dilwaris Khan (President Sindh Amateur Muai Thai Association)
27. Khalil Jibran (President Sindh Taekwondo Association)
28. M.Javeed Khan (Secretary Sindh Taekwondo Association)
29. Khalid Rehmani (Secretary Sindh Tennis Association)
30. Khursheed Shah (District Officer CDGK)
31. Rehana Saif (Sindh Olympic Association)
32. Ahmed Ali Rajput (Secretary Sindh Olympic Association)
33. Dr Muhammad Ali Shah (President Sindh Olympic
Association)
Prof Zaib-Un-Nisa (Principal Khusbakht Leadership College for Girls) was
the guest of honor and she specially praised the efforts of outstanding support
to the sports and martial arts personalities of the trust and has invited
Master Zubairi and his team to her college for seminar and speech.
Master Zubairi has been in
martial arts and sports for over 30 years and is promoting Korean Martial Arts
from Zubairi’s Martial Arts Centre since 1983 in Pakistan.
Rizwan Mustafa Zubairi
Lead Trustee. Chairman-President
Zubairi’s Martial Arts and
Sports Trust-International (Since 2006)
EARTHQUAKES & CACOY DOCE PARES ESKRIMA BELT GRADINGS!
Leigh Jenkins
Enough has been written about
all of the devastating earthquakes that have
taken our once beautiful city of Christchurch by surprise.
And everyone has witnessed the
incredible effects it’s had on our city’s infrastructure, business, families
and on all of our friends as well.
Because now all of these really
terrible earthquakes, tremors, and nasty conditions have destroyed the
buildings that used to house some truly fine martial art clubs in the city,
including our wonderful martial arts school too.
My occupation as a Detective in
the Police Force of New Zealand has placed me in the privileged position of
being a front line responder to the damaged sites in the city, and this was
immediately after all of the earthquakes.
So my hobby as a martial arts
instructor has allowed me to truly observe and understand the true
resilient human condition and attitude
in mid crisis.
When the quake hit, I watched
as the students of our club made enquiries into the welfare of all their loved
ones and friends, then assessed the damage done to their homes, and somehow try
to then sought to establish if they still had a job or not.
After the initial shock of
everything, the student’s concentration then turned to getting our martial arts
school club back on its feet. Despite
the circumstances, all of them expressed a really strong desire and need to
return to some sense of normality in their life, something with a familiar
routine again.
There was overwhelming support
to get classes back up and running again at our school, and this was only just
some three weeks after February’s disaster quakes, then we opened our doors
once more for the students to come and train.
When practicing the Eskrima,
there is not much opportunity to allow your locked in concentration to stray,
and so the regular practice at our school proved to be a welcome time out from
the quakes.
And then my Cacoy Doce Pares
Eskrima Instructor, Grandmaster Vincent Palumbo of Adelaide in South Australia,
was in constant contact with me, because he was so very concerned for the
wellbeing of our Eskrima students at my school.
All of the students were
practicing really well, and so I then decided to invite GMV to attend our club
so as to conduct a seminar and grading for my enthusiastic Eskrima
students.
I knew that GMV had the ability
to dramatically raise the spirits, confidence, and energy levels of all these
eskrima students who train at my martial arts club, because he is a realist,
and he’s so approachable to anyone.
Even though Christchurch was
still being hammered by many of the aftershocks, and a real lot of the really
negative publicity in the news, so all this combined with GMV’s friends in
Australia calling him nuts, as all of them tried their best to talk him out of
going to Christchurch, he still agreed to come and do a seminar and grading
here for our students.
Then I was truly humbled to
watch the effort put in by the students during the build-up to the
Grandmaster’s visit, even despite some of the extremely personal circumstances
that the students found themselves in.
So then it was on that Friday
11th of November 2011, Grandmaster Vince Palumbo came and conducted
a 4 hour seminar. He first started with
some of the more familiar basic drills, and he built them up into the
comprehensive and effective drills with disarms, locks, throws and sparring
routines.
As I first predicted, and as
always, I just watched with a big smile on my face as the my student’s spirits,
confidence, energy levels, and skills excelled in the presence of GMV.
Then on Saturday 12th
of November 2011, we practiced and graded for 8 hours, so it was a very busy
day, and all students were successful in achieving their promotion.
At the commencement of the seminar
weekend, there was Dr Kyle McWilliams who’s also the only student to have been
graded for black belt in New Zealand, but by the end of that weekend, it was
Miss Nadine Maynard’s turn to under go a gruelling examination for black belt
in Cacoy Doce Pares Eskrima.
She has definitely earned this
rite because over the years she’s consistantly been one of New Zealand Cacoy
Doce Pares Eskrima Club’s outstanding performers, and so then she became the
other only student to grade and achieve the prestigious rank of Eskrima Black
Belt - so it was well earned by her, and
it was truly deserved too.
Students graded to 1st
Class Brown Belt:
·
Patrick Flaherty
·
Daniel Bowden
Students graded to 2nd
Class Brown Belt:
·
Tic H’sia How
·
Nick Tan
·
Rao Fu
·
Daniel Mowatt-Gardiner
·
Timothy Clark
·
Patrick Durney
Students
graded to 3rd Class Brown Belt:
·
Robyn Tan
·
·
Jasmine Ting
·
Ryo Yamamura
·
Tom Aspinwall
·
Andrew Schriffer
·
Astrid Mueller
·
Elliot Hill
All members of New Zealand Cacoy
Doce Pares Eskrima Club wish to thank Grandmaster Vincent Palumbo for his time
and efforts spent with us here in Christchurch, and an even bigger thankyou to
his lovely wife and daughter for just agreeing to let him come across to our
shaky city.
Salamat to you GMV.
By Master Leigh Jenkins of the
New Zealand Cacoy Doce Pares Eskrima Club.
CHRISTIAN MARTIAL ARTS, RANK AND ADVANCEMENT
Donald Miskel
Well, my bretheren, here I go again, pontificating.
You may not especially care for it but you knew when you began training with me
that I am as much pastor as sensei. If you like the training it is one of the other
benifits that you get. It's a package deal so sit back and enjoy. If you don't
enjoy, endure. There may be a test after this and your next promotion may rest
in the balance.
All joking aside (what you thought I was joking?)
there is an issue I would like to address. I head a Christian martial arts
organization and belong to several others. I sit on the master's council of at
least one of them. I also belong to several more secular organizations and sit
on the master's council of at least one of those. Being a part of these two
types of organizations with their differing philosophies I am often called on
to address a disagreement between them and even try to mediate an argument. We
want peaceful and amical resolution of these conflicts. We definitely don't
want them evolving into actual altercations. Though I doubt that something like
that would happen it has happened before. The dojo wars in Chicago in the late sixties
and early seventies are an example. I remember those too well.
Everybody doesn't see things the same way. It's the
varying views that we share that make life interesting. Unfortunately it can
make life a little bit more interesting than we want it to be. An old Indian
(meaning from India) curse and blessing states, "May you live in
interesting times". According to how it is meant and how it unfolds it can
be either. We want things to be interesting but only within reason.
I was recently put in a position to try to mediate a
disagreement between two martial arts organizations. Both organizations and the
primary individuals involved are dear to my heart. One organization is a
Christian organization and the other a secular organization. I sit on the
master's council of both and have advanced rank in both systems of martial arts
advocated by these organizations. I am also a chaplain and counsellor for both.
The reason behind the argument was a bit complicated but for the sake of this
essay I'm going to oversimplify it. The disagreement was over rank and
promotion being awarded to a particular
person. I don't want to argue the right or wrong of the two arguments or my own
personal opinion in the matter. What I do want to discuss is the difference in
rank and promotion between a Christian martial arts organization and a secular
one. The ranking systems and criteria for rank can be at odds between the two
types of organizations. Not saying that one is wrong and the other is right.
The ranking system they use may suit the one and not the other.
First off let me say that several of the individuals
on both sides of the argument were professing Christians. In spite of that the
objectives of the two organizations were very different. The Christian martial
arts organization is organized as a ministry first and a martial arts
organization second. It's primary purpose was to use martial arts as a
ministry. A Christian martial arts ministry is like any other Christian
ministry. Its primary purpose is to win souls for Christ. The martial arts
systems they teach are tools used to achieve those ends. That isn't to say that
those who teach in such a capacity aren't serious martial artists. Many of us
are. I've been involved in the martial; arts for almost fifty five years. The
study and teaching of the arts is one of my passions but first and foremost I
am a minister and pastor. Fortunately I don't have to choose between the two. I
embrace both equally. In my mind they are different sides of the same coin.
In my teaching career I have taught both classical
and eclectic martial arts, I have taught in commercial and non-profit dojo(s)
and I have taught in Christian and secular schools. In each instance my goal
and my primary thrust was different. These days I am only interested in
teaching Christian martial arts in a spiritual setting. In a sense, my dojo is
my cathedral. I have a steady income and I don't have to teach for a living. I
teach primarily out of a church gym or out of my home. Since I don't care for
large classes this works well for me. It also gives me an opportunity to impact
the individual lives of my students independently. Considering my objectives
that works best for me.
In the secular sector rank is based solely on skill
and ability. Either a student is worthy of a particular rank, according to the
requirements of the school, or he isn't. There is no middle ground. In the
ranking system of the organization that I head and the other two Christian
martial arts organization that I am a council member of the criterion for rank
and promotion is different. In my organization my expectation for kyu rank and
for the lower dan rank is the same as any other organization. It is based
primarily on skill, knowledge and ability. The reason for this is that I need
the teachers in the system to be adept enough to teach the students that they
will be instructed with. They have to have the skill, knowledge and teaching
ability that is required of them. After sandan (3rd degree black belt) my
criteria for rank parts with the norm. I am more concerned about their ability
in ministry than their ability in the technical areas of the arts. That isn't
to say that I require no more skill for a godan 5TH degree) than a sandan. At
that level I just base rank on ministerial skill as much as knowledge and
ability in the arts. It is my belief that rank beyond godan is more
administrative than skill based. One reason being that at the age that an
individual reaches godan his physical abilities are waning. By the time a
person reaches eight degree he's been in the arts for about forty years. He's
probably in his mid fifties or early sixties by then. His knowledge may have
grown but his body is no longer in step with his mind. At that ratified rank a
martial artist is judged more by what he knows and what he has accomplished and
contributed to the arts than for raw ability. I can't even begin to do the
things I used to do ten years ago. I'm approaching sixty five years old and
while I'm in remarkable shape for my age (my oppinion) I'm still a senior
citizen. There's no need of fooling myself to the contrary. If I'm a master at
all, and I don't claim to be, it's more because of what I know than what I can do. Too many people buy into the
Saturday morning kung fu movie concept of shrived up octogenarian kung fu
masters beating up on young fighting champions. That's a myth pure and simple.
Angelo Dundee was a shrived up boxing master but you didn't see him beating up
on Muhammad Ali.
Various schools, instructors and organizations have different
criteria for rank and for promotion. A shodan in one school would hardly
qualify as a brown belt in another. Each school and organization has its own
requirements for rank. Since there is no one board that regulates this it is
just how it is. My organization is no different. I want my instructor rank
people to be comparable with any other organization's but when it comes to
master rank I judge differently. I am looking for the one who can inspire. One
who can give good council. One who can impact the spiritual lives he teaches
and those who serve under him. First and foremost they are ministers. After
that they are martial artists. At higher rank I place the former over the
latter. I am more interested in creating good Christians than creating good
fighters. Our system doesn't particularly encourage sports karate. Ours is a
combative system. That isn't because I'm trying to turn out street fighters or
bar room brawlers. It's because I teach the way I was taught. I was taught what
was effective in a self defense or combative application. It's what I know.
What I understand. A few of my students have fought in tournaments and some
have done very well but it isn't our point of interest. Ours can be a brutal
system. Because of the potential of abuse of the system I am especially adamant
that I teach good Christian ethics to go along with the martial skills I am
trying to install into my students. We are accountable for what we teach.
Especially to the young. A good moral foundation must be laid with the physical
skills that they are learning.
I am not alone in my philosophy in teaching and
ranking. The other two christian organizations that I represent hold to
something of the same philosophy. We are trying to create good Christian, good
citizens and good human beings. The ability to do so, using the martial arts as
a means to that end is the quality we look for in our instructors and
especially in our master level people. In our hearts and minds that trumps raw
martial arts ability and teaching skills every time.
There, see there. This wasn't a sermon after all.
You'll notice that unlike most of my articles and essays not a single scripture
was quoted. Don't let that fool you however. This was as much a spiritual
message as all of those others. I will give this advice to my fellow Christian
martial arts instructors. Whatever you do do as unto the Lord. And remember, my
brothers, only what you do for Christ will last. God bless you, my brethren.
Train hard and go with God.
Dr. Donald Miskel, ThD, DCC,
MaDiv.
Judan Shodai Soke, BLMAA
Patriarch, IFAA
Original Member, BDFS
KARATE FOR THE MASTERS
Donald Miskel
It has been a
lifelong endeavor for me to truly master the martial arts. I have dedicated
nearly 55 years of my life to that end. Still striving. Still seeking. Still
studying. I am considered a martial arts masters amongst my peers and a
grandmaster in some circles but I have better sense than to become too enamored
with my ability. Age, injury and several radical surgeries have taken their
toll on this old body but so far my mind is as clear as ever. Which, by the
way, isn’t saying much but it is what it is.
I HAVE OFTEN ASKED
MYSELF WHAT IS MARTIAL ARTS FOR THE MASTER. What describes that rarified level
of knowledge and ability? Is it a powerful gyaku zuki (reverse punch) or a
blazingly fast yoko kekomi geri (side thrust kick)? How about the signature oi
zuki (lunge punch) or the mae geri (front kick). Will mastering these moves
make one a master. Good question. I’m still trying to find an answer to it. I
remember when I could deliver a mawashi geri (roundhouse kick) that would
scorch your gi. Today I canbarely throw the same technique waist high due to a
couple of back surgeries. Everything fused, nothing bends. Not the best
situation for a karate/kempo sensei. Still I strive for mastery and have
learned to reinvent myself as a martial artist. But then this isn’t about me.
In the early days of
my martial arts training I was attracted to the most radical and acrobatic
techniques I was capable of doing. Spinning kicks, jump kicks, flying kicks
were the order of the day and that was before the popularity of taekwondo in
the Midwest where I resided. Like most youngsters I was attracted to the
theatrical. But is this the martial arts of the master?
In order to reach
grandmaster level, (eighth dan and
above) a good forty or fifty years of training has been dedicated to training,
practice and teaching. A lot happens to the body in that amount of time, much
of it not good. What you were able to pull off at twenty you’ll be hard pressed
to duplicate with any authority at sixty. Let’s face it, we do get old. Either
that or we get dead which isn’t conducive to training. Which brings up another
peripheral question. Will there be karate in heaven? As a minister and
Christian martial artist I concern myself with such questions. Interesting
conjecture but let’s get back on track. Is a master a master as his ability
wanes? Unfortunately knowledge and ability seem to grow in opposite directions
as we age. We know more but we can do less. If this isn’t you just give it a
bit more time. You’ll get there.
It has been my
conjecture that a master is a master more for what he knows and what he has
accomplished than what he is still able to do. Otherwise one will be a master
for a while and slide back down the scale to a beginner. For mastership
knowledge is key. Being able to transmit what you know into the lives of
others. That is the true role of the master.
Real karate, or any other
martial arts resides in the kyohan (the basic techniques). It isn’t the eye
catching, mind boggling esoteric techniques that describe the master. When all
is said and done any real martial arts describes its worth on the field of
battle. True any martial arts ‘do’ will accomplish much more than making a
person a proficient fighter, which is good since violence is antisocial. But in
the long run the martial arts are about fighting. Not about kumite, waza or
kata though all three contribute to the ability of the fighter. In its rawest
manifestation the martial arts are just that; martial. It’s about combat,
fighting and self defense. If the arts don’t work in those areas they don’t
work at all. It’s nice to build character and teach discipline but there are
possibly easier and less traumatic way of doing that without the bruises and
contusions that accompany the study of any fighting discipline. In the end, if
you can’t fight, you aren’t much of a martial artist. You’re merely a paper
tiger.
Back to the beginning
of this essay. Karate is effective because of its basics. Everything else is
superfluous. Basics are what work in a real confrontation. When the blood is
inundated with adrenaline and the heart rate peaks eye hand coordination
basically disappears. Simplicity becomes the redeeming factor in such a
situation. Gross motor skills are what work.
I would like to tell
you that all those beautiful and flashy techniques that you perfected for last
Saturday’s demonstration will work in the streets but I would probably be
misleading. Basics work. Simplicity offers a better chance of success. Leave
those fancy techniques for the stage. That’s where they’ll get the applause.
Don’t allow those flashy techniques to leave you broken and bleeding in the
streets. Likewise instill a sense of reality in your students. If you teach
karate or any other martial discipline as a sport be honest with your students.
What works on the tournrment floor doesn’t necessarily work in the streets. A
master instills reality into his students. He doesn’t inundate him with false
and maybe dangerous expectations. A real
master will take his student to where he needs to be as a martial artist.
Lastly, to cement my
argument let me go to one of the great authorities on karate. Master Gichin
Funicoshi stated that taikioka is the kata for the beginner. Then he turned
around and stated that taikioka is the kata for the beginner. How can this be?
Sounds like the classic oxymoron but in this truth lies the key to mastery of
the arts. A young martial artist relies on his youth and physical prowess. That
will only take him so far. Especially if he intends to continue practicing his
art beyond his youth. As he continues to pursue his art he’ll eventually learn
that there is a deeper depth and greater knowledge to be had and that resides
in the basic foundational techniques of his art. Every sound building rests on
a good foundation. Without it it doesn’t matter what good material you build
with. Your building will be built on and in futility. A structure is no better
than the foundation it stands on. In the martial arts mastery resides in the
basics.
Be realistic in your
studies and training. Teach realistically. You’ll be much happier with your
accomplishments and in the end your students will appreciate it.
Train hard my brother and go
with God.
Rev. Dr. Donald Miskel, ThD,
DCC, MaDiv.
Judan Shodai Soke, BLMAA
Patriarch, IFAA BDFS
Traditional Historian,
Worldwide Dojo
MENTAL KUNG FU
Donald Miskel
Man is a triune
being. That is to say that he has three aspects to his being. Man isn’t just a
physical presence. If we live only according to the demands of the fleshly man
we are living only a fraction of our life possibility. Man is a spirit, he has
a soul and he lives in a body. Holistic medicine has become popular in recent
years. Actually this is nothing new. The Chinese physician has been treating
the various aspects of the human condition for longer than we can begin to
understand.
I am a minister and
of course I am concerned with more than just the physical man. I wouldn’t be
much of a pastor if I wasn’t. But this is an article about martial arts and self
defense. You may wonder how these other aspects of the human existence enter
into the martial arts. Anyone who has studied the arts for any length of time,
especially in the oriental systems, knows that many of the martial arts began
in religious temples. Chan (Zen) Buddhism and Taoism birthed a number of
martial arts. I’m not advoc ating that the Christian martial artist enters into
these philosophies and spiritual practices but I am pointing out that the arts
weren’t created in a vacuum. In their creation all aspects of the human being
were taken into consideration. In all
actuality nothing can be accomplished independent of the soul and spirit. Where
you go all of you goes. If your feet go, the rest of your body will follow. We
are holistic beings.
There is more to self
defense than a punch, a kick, a lock or a throw or takedown. Real martial art
goes beyond its physical expression. If you don’t put your heart into a
technique, regardless of how much you’ve trauned it won’t work. Fighting is
more than mere physical contention. Hopefully we are not just focused on combat
in our studies and teaching. There is more to life than that. Violence is
antisocial. It should always be a last resort. If we depend on our physicality
alone violence will be the sole manifestation of our art. If, on the other
hand, we base our martial expression in the other areas of our being we will
have control over our circumstances to
the extent that we will practice our arts on a higher level. We will learn to
fight without fighting.
Many of us have
studied some type of animal system, such as tiger crane, praying mantis or
white crane kung fu. Yet, however affectively we mimic the fighting prowess of
these animals we will be limited by our human limitations. No matter how good
you become at black tiger kung fu you can’t kung fu a tiger. Please, take my
word for it. Don’t put it to the test. That would be a lesson you won’t live to
profit from. Yet, in spite of our human frailty, we have almost caused the
extinction of tigers. Human beings are more dangerous than any tiger. What give
s us this superiority? It is the human brain. Our ability to think. The brain
supersedes the limitations of the human body making us more dangerous than
physical ability alone could accomplish.
All the training in
the world won’t help us if we aren’t aware of our surroundings and don’t see a
dangerous situation before it becomes critical. We will do better in a self defense
situation if we react to deal with the impending attack before it occurs. This
type of awareness requires more than training the fist into weapons or learning
a kick or two. Our minds are, or should be, our first level of defense. The
best fight isn’t the one you win it’s the one you avoid. Fighting without
fighting is always preferable to getting hurt or hurting someone else. If we
can control the situation we can control the outcome.
My friend, Dr. John Enger
of the Shinja Martial Arts University has a black belt in Verbal Karate. This
method involves conflict resolution. Dr. Enger was a police officer and often
had to use his verbal skill to defuse or deescalate what could become a
dangerous situation. No police or security officer wants to fight with another
person in the process of doing his job. Likewise, no responsible human being,
martial artist or not, should seek a physical confrontation if he can reason
his way out of it.
Too often we let our
own pride, insecurities or, so called, righteous indignation enter into the
equation goading us into a fight that we could otherwise avoid. For any
civilized person fighting is always a last resort. Very little is resolved by
conflict.
I have always held
that if one of my students finds himself in a physical confrontation my
instruction hasn’t been totally effective. I try to build a level of self
awareness and command of his surroundings in a student that he should see a
possible situation before it happens. If confronted he should have the verbal
and mental skills to deescalate the situation. Of course, unfortunately, a
fight is sometimes unavoidable. I teach my students to be an angel in
negotiation but a demon in a fight. Do everything you can to preserve the
safety of you and any, would be, assailant but if violence is inevitable go all
out in your efforts to protect yourself and loved ones. But first, think. Take
control of yourself and you’ll have a foundation to enable you to control the
situation.
Use your mind as
your first resource. Your first line of defense. Observe and always be aware of
your surroundings and any possible impending situation. Avoid areas where
trouble is likely. Carry yourself with confidence and an air of capability.
Predators are looking for a soft target. Don’t give them what they are looking
for. If confronted be confident but not cocky. Strong but not pushy. Aggressive
but not abusive. Flexible but not a push
over. It’s a balance that you are looking for. A perfect balance of yin and
yang. And lastly, always keep in mind
that it is your brain that makes you superior to the average predator. Your
brain is your best weapon. Use it. Master that and you will be a true martial
art master.
God bless you my brethren.
Train hard and go with God.
Dr. Donald Miskel
THE MOTHER OF INVENTION
Donald Miskel
This is going to be
a brief article. I have a sermon to prepare for tomorrow’s service at my church
and I should be working on that. I also need to be putting together the
syllabus for an academic class that I’ll be helping teach at one of the local
universities here. Those are going to have to wait for a bit. I just have to
get this out of my system first.
I had occasion to
speak with my Sensei this week, something that I should probably do more often
than I do. Douglas (Doug) Dwyer is one of the toughest men alive in my
estimation. I have had the good fortune to study with some really great karate
instructors in my long martial art career. If I chose to drop names many of you
would be suitably impressed but in my opinion Doug is amongst the best of the
best.
Doug came up in the
‘Deadliest man alive’ era of Count Dante (AKA John Keehan). John was one of the
driving forces of the USKA and later founded the old World Karate Federation
(along with Doug) and the Black Dragon Fighting Society, the later which exists
to this day. Doug and John were best friends and studied karate with Charles Grazanski
and Robert Trias. Prior to that both had backgrounds in boxing and judo. They
were close friends and peers, not instructor and student. Their journey in the
martial arts was started together and they brought shorei goju karate and the
USKA to the Midwest which would be its largest area of influence in the U.S.
I began studying
with Doug in 1964 after having studied judo/jiu jitsu and shotokan karate. I
had a pretty solid foundation in the arts but studying with Doug was light
years ahead of anything I had experienced. If my prior studies represented
grammar school and middle school then Doug’s school would be high school and
college.
I have since studied
extensively with other instructors and martial art masters including John Keehan
but none outstripped Doug. His knowledge, technique and teaching ability was
amongst the best I’ve ever experienced. I am considered a martial art master by
my peers and a grandmaster by some others but I am still trying to approximate
the skill of my sensei, Doug Dwyer.
I was talking to one
of my seniors recently and Doug’s name came up. We both concluded that Doug
isn’t human. I don’t believe he ever was. Not doing the things that he could
do. I recall watching Doug destroy two roman bricks with a kukete (spear hand
strike). I was his uke and often held the bricks while he demonstrated this
impossible feat. Doug could break a stack of ten bricks without spacer and
reduce them to gravel or he could use kime (focus) and break an individual
brick in the stack. I’ve watched him punch his way through two two by fours
like they were dry sticks. I was a pretty decent breaker in my heyday but I
have yet to duplicate some of the feats that he did routinely.
I was a street tough
kid in a rough neighborhood of an unforgiving city. I studied the martial arts
more for survival than for any esoteric reason. I wasn’t interested in
competing or in demonstrations. They say that necessity is the mother of
invention and where I grew up fighting prowess was a necessity not a nicety. It
was about survival and not art. When I sought a martial discipline and an
instructor I needed someone and something based in reality. Doug and the art he
taught furnished me with the tools I needed to survive. His teaching saw me
through the danger of the ghettoes of Chicago and the jungles of Southeast
Asia. In circumstances that destroyed more than a few young me I not only
survived; I thrived.
I’m in pretty decent
shape considering several debilitating injuries and illnesses, several pretty
radical orthopedic surgeries and the effects of time and age. I still teach and
train within the limitations that time has placed on me. I have enough metal in
my body to foster panic in airports and I pursue my training through pain and
discomfort but I still do the only thing I know how to do. I train. At a time
when most of my peers have suffered many health challenges and are challenged
by arthritis and injury Doug still trains like a demon. While the rest of us
are struggling through our work outs with the appropriate moans and groans Doug
is head butting his way through brick buildings. I’m sixty-five years old and
Doug is considerably older than me so you go figure. Again, the only conclusion
I can come to is that the man isn’t human. Whatever planet he migrated from
they made men a lot tougher than they do here. Where ever he hailed from he is
one of a kind and he’s the only man I’ll ever call sensei. I don’t mind sharing
him with the rest of you buzzards as long as you keep in mind he’s MY sensei.
God bless you, my brethren.
Train hard and go with God.
Dr. Donald Miskel Thd, CCD,
MDiv
Judan shodai soke, BLMAA
Patriarch, IFAA BDFS